{"id":401,"date":"2025-09-14T17:44:57","date_gmt":"2025-09-14T13:44:57","guid":{"rendered":"https:\/\/courtderriere.re\/appel\/?p=401"},"modified":"2025-09-15T13:56:55","modified_gmt":"2025-09-15T09:56:55","slug":"titre-du-film-5","status":"publish","type":"post","link":"https:\/\/courtderriere.re\/appel\/titre-du-film-5\/","title":{"rendered":"CITY BIRDS DON&rsquo;T FLY"},"content":{"rendered":"<p><strong><span class=\"lang-la\" lang=\"la\" xml:lang=\"la\">HANA MAHMOUD<\/span><span class=\"lang-la\" lang=\"la\" xml:lang=\"la\"><\/span><\/strong><\/p>\n<p><strong>\u00c9gypte | Exp\u00e9rimental | 9&prime;<\/strong><\/p>\n<p><strong>Synopsis : <\/strong><span style=\"font-weight: 400;\">Paralys\u00e9 depuis un accident survenu il y a dix ans, Mahmoud trouve dans la danse un souffle vital. Le film, aux images po\u00e9tiques, suit son combat pour r\u00e9inventer la libert\u00e9 de mouvement au c\u0153ur du Caire, o\u00f9 son fauteuil roulant est transform\u00e9 pour lui ouvrir un nouvel espace de vie<\/span><\/p>\n<p><strong>Bio : <\/strong><span style=\"font-weight: 400;\">Hana Mahmoud est r\u00e9alisatrice et \u00e9crivaine \u00e9gyptienne. Elle a \u00e9tudi\u00e9 le cin\u00e9ma \u00e0 l\u2019Universit\u00e9 am\u00e9ricaine du Caire (2017). Sa pratique croise les domaines du cin\u00e9ma, de l\u2019\u00e9criture cr\u00e9ative et des arts visuels dans une approche interdisciplinaire. Son film <\/span><i><span style=\"font-weight: 400;\">Zay El Shams<\/span><\/i><span style=\"font-weight: 400;\"> (2018) a particip\u00e9 \u00e0 14 festivals et remport\u00e9 11 prix, dont ceux du meilleur film, du meilleur sc\u00e9nario et du meilleur design sonore. Son court-m\u00e9trage exp\u00e9rimental<\/span><i><span style=\"font-weight: 400;\">Tark<\/span><\/i><span style=\"font-weight: 400;\"> (2016) a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans une exposition d\u2019art \u00e0 la galerie Margo Veillon en \u00c9gypte, au festival Feminist Border Arts (Nouveau-Mexique) ainsi qu\u2019\u00e0 la conf\u00e9rence artistique EFESC en Turquie. Hana a collabor\u00e9 avec des figures majeures de l\u2019industrie cin\u00e9matographique \u00e9gyptienne sur des superproductions telles que <\/span><i><span style=\"font-weight: 400;\">The Blue Elephant 2<\/span><\/i><span style=\"font-weight: 400;\"> et <\/span><i><span style=\"font-weight: 400;\">Diamond Dust<\/span><\/i><span style=\"font-weight: 400;\">. En 2023, elle a travaill\u00e9 comme sc\u00e9nariste pour la s\u00e9rie Netflix <\/span><i><span style=\"font-weight: 400;\">Finding Ola<\/span><\/i><span style=\"font-weight: 400;\"> (saison 2). En 2021, elle avait d\u00e9j\u00e0 \u00e9t\u00e9 productrice de contenu pour la premi\u00e8re saison de cette m\u00eame s\u00e9rie. Elle d\u00e9veloppe actuellement l\u2019histoire du film <\/span><i><span style=\"font-weight: 400;\">Al Set<\/span><\/i><span style=\"font-weight: 400;\">, r\u00e9alis\u00e9 par Marwan Hamed, tout en \u00e9crivant son premier long-m\u00e9trage, \u201cThe House of the Old Lady\u201d.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div style=\"padding: 41.77% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/1010589897?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" title=\"Hidy I Rova Andriantsileferintsoa\"><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>HANA MAHMOUD \u00c9gypte | Exp\u00e9rimental | 9&prime; Synopsis : Paralys\u00e9 depuis un accident survenu il y a dix ans, Mahmoud trouve dans la danse un souffle vital. Le film, aux images po\u00e9tiques, suit son combat pour r\u00e9inventer la libert\u00e9 de mouvement au c\u0153ur du Caire, o\u00f9 son fauteuil roulant est [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":881,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-serie-1-2"],"_links":{"self":[{"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/posts\/401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/comments?post=401"}],"version-history":[{"count":11,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/posts\/401\/revisions"}],"predecessor-version":[{"id":880,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/posts\/401\/revisions\/880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/media\/881"}],"wp:attachment":[{"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/media?parent=401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/categories?post=401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/tags?post=401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}