{"id":1181,"date":"2026-09-23T03:42:57","date_gmt":"2026-09-22T23:42:57","guid":{"rendered":"https:\/\/courtderriere.re\/appel\/?p=1181"},"modified":"2026-09-23T13:40:27","modified_gmt":"2026-09-23T09:40:27","slug":"coeur-bleu","status":"publish","type":"post","link":"https:\/\/courtderriere.re\/appel\/coeur-bleu\/","title":{"rendered":"C\u0153ur bleu"},"content":{"rendered":"<h3><strong>C<\/strong><strong>\u0152<\/strong><strong>UR BLEU\u00a0<\/strong><\/h3>\n<p><strong><span class=\"lang-la\" lang=\"la\" xml:lang=\"la\">SAMUEL SUFFREN<\/span><span class=\"lang-la\" lang=\"la\" xml:lang=\"la\"><\/span><\/strong><\/p>\n<p><strong>La R\u00e9union | Fiction | 15&prime;<\/strong><\/p>\n<p><strong>Synopsis<\/strong> : Marianne et P\u00e9tion vivent dans l\u2019attente des nouvelles de leur fils parti aux Etats-Unis. Tandis que le silence s\u2019\u00e9ternise, leurs espoirs et leurs inqui\u00e9tudes grandissent, r\u00e9v\u00e9lant des fractures de leur propre vie. Le r\u00eave am\u00e9ricain, devenu une promesse fragile, semble leur \u00e9chapper, alors que la fronti\u00e8re entre le r\u00eave et la r\u00e9alit\u00e9 devient de plus en plus insaisissable.<\/p>\n<p><strong>Bio :<\/strong><\/p>\n<p>Samuel Frantz Suffren est un artiste visuel, r\u00e9alisateur et producteur ha\u00eftien n\u00e9 en 1992 \u00e0 Port-au-Prince. Son travail artistique, souvent d\u00e9crit comme un cin\u00e9ma-po\u00e8me, explore les th\u00e8mes de l&rsquo;exil, de l&rsquo;absence et du d\u00e9racinement. Il dirige \u00e9galement l&rsquo;association KIT, un collectif de photographes et cin\u00e9astes bas\u00e9 en Ha\u00efti.Il est principalement reconnu \u00e0 l&rsquo;international pour sa trilogie de courts m\u00e9trages intimistes inspir\u00e9s de l&rsquo;histoire de son p\u00e8re et du fantasme du r\u00eave am\u00e9ricain :<\/p>\n<p>&#8211; Agwe (2022), s\u00e9lectionn\u00e9 au Festival de Locarno et r\u00e9compens\u00e9 au FESPACO<br \/>\n&#8211; Des r\u00eaves en bateaux papiers (2024), pr\u00e9sent\u00e9 en comp\u00e9tition officielle au Festival de Sundance.<br \/>\n&#8211; C\u0153ur bleu (2025), s\u00e9lectionn\u00e9 \u00e0 la Quinzaine des cin\u00e9astes du Festival de Cannes et prim\u00e9 dans plusieurs festivals internationaux.<\/p>\n<p>Il d\u00e9veloppe actuellement plusieurs projets de longs m\u00e9trages, notamment un documentaire intitul\u00e9 L\u00f2tb\u00f2 et une fiction nomm\u00e9e Je m&rsquo;appelle Nina Shakira.<\/p>\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/1222750362?title=0&amp;byline=0&amp;portrait=0&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Coeur bleu\"><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u0152UR BLEU\u00a0 SAMUEL SUFFREN La R\u00e9union | Fiction | 15&prime; Synopsis : Marianne et P\u00e9tion vivent dans l\u2019attente des nouvelles de leur fils parti aux Etats-Unis. Tandis que le silence s\u2019\u00e9ternise, leurs espoirs et leurs inqui\u00e9tudes grandissent, r\u00e9v\u00e9lant des fractures de leur propre vie. Le r\u00eave am\u00e9ricain, devenu une promesse [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1182,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1181","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-serie-2"],"_links":{"self":[{"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/posts\/1181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/comments?post=1181"}],"version-history":[{"count":2,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/posts\/1181\/revisions"}],"predecessor-version":[{"id":1238,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/posts\/1181\/revisions\/1238"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/media\/1182"}],"wp:attachment":[{"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/media?parent=1181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/categories?post=1181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courtderriere.re\/appel\/wp-json\/wp\/v2\/tags?post=1181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}